Visual Essay No. 5 | Nick Tsindos

For this visual essay, we’ve invited Sydney-based photographer and videographer Nick Tsindos to interpret our porcelain pieces. His eye for form, balance and composition resulted in a truly magical visual essay that took our breath away. Read more from Tsindos on this shoot and his creative process below.

My journey into photography was born through living abroad, and just taking pictures of anything and everything. It slowly developed during my time studying performing arts in 2015 and its just continued to evolve the years after. My initial education and previous life was a construction management degree. So I think maybe my current still-life work now references that past life in building.

I find inspiration in cinematography, architecture, painters, florists, friends and their stories. When I first started shooting, I really loved (and still do) a photographer called Luigi Ghirri. He captures scenes in life beautifully.

It’s a privilege to take photos, and build and create things. It gives you a lot of joy and a lot of freedom, which is really special… My process with still life is based on building new objects. It’s pretty playful, with heaps of trial and error. I want to create my own sculptures basically, and try to give a different life to the objects I’m using.

See more of Nick Tsindos’ work here.

Carafe Small

$83.00

Tear Vase

$64.00

Water Jug

$166.00

Visual Essay No. 4 | Patricia Niven

Patricia Niven is a London-based food photographer - her work conveys her philosophy of the interconnectedness of food, with the hope that it inspires others to have a greater awareness and appreciation of the relationship between the land, the producer and the preparer. This essay was shot in lockdown at Patricia's home in Clerkenwell, London in collaboration with stylist Agathe Gits. "My father was a long term photography enthusiast with a home darkroom first started…
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Visual Essay No. 3 | Studio Mary Lennox & Becca Crawford

Berlin based florist Ruby Barber of Studio Mary Lennox is renowned for her opulent, extravagant floral installations. For our Visual Essay No. 3 she mixes her iconic floral language with Becca Crawford's strong Still Life photography, to create an other worldly interpretation of our Ink collection. As a florist and a food/still life photographer, we wanted to combine our respective disciplines in a playful pairing of organic produce - both floral and fruity! We've been working together…
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Visual Essay No. 2 | Anna Pogossova

For the launch of our porcelain bakeware in INK, Moscow-born, Sydney-based photographer Anna Pogossova documents the range, referencing classical Still Life Imagery and Yves Klein’s performative paintings with blue pigment. "The colour blue, and the finish of the ceramics remind me of Johannes Vermeer’s The Milkmaid, with bread and blue drapery, touches of yellow and cream walls. I also think of Yves Klein blue." Anna unpacks her Visual Essay for us through Q&A. Was there…
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