“Visual arts are an integral part of our culture and overall social wellbeing. This sector has long been under-valued and poorly funded. With no change in sight it’s up to individuals and businesses with the foresight and capital to step up and do what they can to reverse the decline. The emerging generation of ceramicists are really inspiring. Their work touches all the right areas: environmental, social, visual and practical! After personally watching my daughter financially struggle with her investment in her final year of fine art studies, despite our support, I realised others may not be so lucky. It is my hope that this award will nurture and support some of our brightest ceramicists in the years to come.”
Pictured: Cassie Hansen, 2023 SSCP Winner. Photography by Nikita Hederics.
Pictured: Cassie Hansen's winning entry.
Pictured: Shelley Simpson with SSCP 2022 winner, Phaedra Davy.
Pictured: Phaedra Davy's winning entry.
The mission of the Shelley Simpson Ceramics Prize (SSCP) is to support the next generation of Australian ceramicists. These artists may be working across functional, small-scale, fine art, handcrafted or more complex commercial pursuits with ceramics. For the first time this year, the annual prize was open to all Australian ceramics artists.
We’re delighted to announce our 11 talented finalists for the 2023 Shelley Simpson Ceramics Prize. Thank you to everyone who shared their work with us. This year we received a record number of submissions, highlighting the diverse and compelling depth of contemporary Australian ceramics.
The winner will be announced late February and receives a $10,000 cash prize to support either their studies or further pursue their ceramics career, as well as a mentor-mentee relationship with Shelley Simpson.
First Prize: $10,000
Second Prize: $2,000
Third Prize: $1,000
The first prize winner will be offered a mentor-mentee relationship with Shelley Simpson to commence in 2023.
Winning the SSCP has given me a confidence boost and a sense of reassurance that I am on the right track. In winning the prize, I have been able to work with materials and purchase equipment that I previously couldn’t afford. This has allowed me to focus and refine what my work explores rather than having to worry about how to achieve a certain aesthetic without the right materials.